Stock ref: DS1128

Circa 1930s / early 1940s

Stanley Webb Davies pieces are very rare to the market and highly sought after, representing understated Arts and Crafts furniture at its very best, in the Cotswold School style of Gimson and the Barnsley’s. Every piece is totally unique, SWD was resolute in never producing exactly the same design twice. 

Unmarked but with excellent provenance to a Windermere family with a significant collection of Stanley Webb Davies and Arthur Simpson home furnishings purchased in the first half of the 20th Century. Made from solid walnut with natural bristles in very characteristic SWD style the set of brushes remains eminently usable as originally intended. The brush handles are wonderfully carved, ergonomically shaped and immensly tactile. The walnut has a lovely patina and graining pattern and there is no damage or repair to the wood, just slight loss to a few bristles around the edges of the brushes.

Size: 21(l) x 7(w) x 5.5(h), 16.5(l) x 5.5(w) x 5.5(h) cm

SWD (1894 -1978)  was the son of a wealthy mill owner in Darwin, Lancs. Oxford educated, he was apprenticed to Arthur Romney Green before setting up home and his business in Windermere, Cumbria in 1923. The business closed in 1960.

Information courtesy of Hugh Wright’s book published in 2006, Stanley Webb Davies, 1894-1978, Arts and Crafts Furniture Maker. I can highly recommend it  to those keen to learn more about his work.

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Stock ref: DS1127

1931

Stanley Webb Davies pieces are very rare to the market and highly sought after, representing understated Arts and Crafts furniture at its very best, in the Cotswold School style of Gimson and the Barnsley’s. Every piece is totally unique, SWD was resolute
in never producing exactly the same design twice. 

This solid oak tray is signed and dated in typical fashion by the SWD craftsman who made it, Richard (Dick) Cloudsdale. Hand carved and tooled from a single piece of quarter sawn English oak to accentuate the medullary ray figuring in the oak,  it
is oval in shape with distinctive scalloped carving all around the top edge and curved sides leading to the flat underside. Superb  deep rich chestnut brown in colour and free from any damage or evidence of repair. Excellent provenance to a Windermere
family with a significant collection of Stanley Webb Davies and Arthur Simpson home furnishings.

Size: 35(w) x 20.5(d) x 1.5(h) cm

SWD (1894 -1978)  was the son of a wealthy mill owner in Darwin, Lancs. Oxford educated, he was apprenticed to Arthur Romney Green before setting up home and his business in Windermere, Cumbria in 1923. The business closed in 1960.

Richard (Dicky) Cloudsdale (1908 – 1991) worked  for SWD from 1928 -1954. Brought up in Ambleside he trained as a joiner at his fathers shop before joining SWD.He was a keen cyclist and lover of the Lakeland fells throughout his life.

Information courtesy of Hugh Wright’s book published in 2006, Stanley Webb Davies, 1894-1978, Arts and Crafts Furniture Maker. I can highly recommend it  to those keen to learn more about his work. 

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DS1135

Circa 1960

A Robert ‘Mouseman’ Thompson Oak Tea / Serving Tray in the kidney shape featuring two finely executed trademark carved mice  handles. Carved from a single piece of solid oak with subtle adzing to all upper surfaces which reflets the light wonderfully
and enhances the meduallary grain figuring in the oak. Lovely naturally aged medium oak colour and clearly carefully used and waxed all its life it is free from damage, repairs and any significant staining, other than the expected light age related scratches
and scapes associated with normal use.

Size: 47(w) x 33(d) x 2(d)

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DS1122

Circa 1940s

Rare to the market these very early Robert ‘Mouseman’ Thompson Rectangular Tea / Serving Trays are always highly sought after by collectors.

This example presents in superb condition and with a beatiful deep aged colour. It remains usable as originally intended or as a decorative piece. Two lovely early carved mice handles with the slimmer elongated necks and heads. Subtle adzing and hand tooling to all upper surfaces, no damage, losses or significant staining, just the expected scratching to the underside and slight bowing, all normal and commensurate with the trays age and careful everyday usage.

Size:54.5(w) x 31(d) x 1.5(h)

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DS1134

Circa 1939

A superb pair of rare  Arthur W Simpson of Kendal Arts and Crafts Oak Door Porters. Wonderful colour and condition and usable as originally intended or as decorative pieces. Well executed, good heavy weight, and of tall slender form with shaped terminals
in the form of ‘spades’ and ‘clubs,’ possibly inspired from a deck of cards. Both labelled, although well worn.  One label bears traces of Hubert Simpson’s name, who took over on the death of his father Arthur in 1922. One is stamped X832, dating
the piece to 1939 based on Hugh Wright’s chronology of known production pieces.

Size: 10(w) x 12(d) x 61(h) and 9(w) x 12.5(d) x 61(h)

For those keen to learn more about Arthur Simpsons of Kendal i can highly recommend  the following books:
The Beautiful Furniture of The Simpsons of Kendal, Hugh Wright, 2011.
The Simpsons of Kendal, Craftsmen in Wood 1885-1952, Eleanor
Davidson, 1978.

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DS1123

Circa late 1960s / early ’70s

A rare Robert ‘Mouseman’ Thompson Oak Long Duet Stool, originally catalogued and sold by Thompson’s as a Long Fireside Stool. No longer made, good examples are always keenly sought by collectors. Of rectangular form with a very distinctive  adzed
 and dished solid oak seat, standing on four substantial square and octagonal carved legs joined by stretchers. A signature carved mouse is carved running up one of the legs.

Presented in superb condition with a warm aged mellow brown colour and lovely grain figuring, particularly to the seat. No evidence of any previous damage, abuse or repairs, all the joints are solid and there is no staining to the seat.

Size: 85(w) x 37(d) x 41(h)cm

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DS1121

Circa 1980

A wonderful demonstration of craftsmanship and attention to detail inside and out. This blanket box / storage chest is much rarer and more unusual than normally sold  as the lid also features the  same distinctive individually selected oak panelling, pegging, chamfered edges and  adzing as the front, back and sides.  Not only is the entire framework adzed, each individual panel is too, which harks back to the earliest construction techniques learn’t and used by Sid when he trained at Thompson’s. To contain costs most modern made blanket boxes by R. Thompson’s and others now only feature adzing to the lid section, which itself is more cheaply made from a plain single or double planked top. The inside panels were varnished from new, as wax will taint bedding and clothing,  and still look pristine, the base is stained a darker oak colour. Externally the chest is honey oak coloured with no damage and has recently been cleaned and refinished with wax.

Size: 42″ (w) x 15 3/4″ (d) x 20 1/2″ (h),    107 x 40 x 52 cm.

Excellent provenance, the second identical storage box i’ve had recently, part of a substantial collection of Sid’s furniture  i have acquired from their original local owner, who was a personal friend of his, and who had all the items made to order between 1970 and 1980. They are only reluctantly being sold due to their emigration shortly.

Sid Pollard lived in Bagby, near Thirsk, and was one of Robert Thompson’s early apprentices. His solo work is almost always unmarked, preferring to let his craftsmanship speak for itself. After leaving Thompson’s he combined his solo work with the family building firm, Pollard Builders. His solo work dates from the 40’s through to his death in the early 80’s.

The equivalent 3’6″ size Mouseman blanket box now costs £1775 new to buy, so this represents tremendous value at:

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DS1120

Circa 1980

A set of 4 handcrafted solid oak bar stools featuring carved octagonal legs joined by stretchers used as footrests, typical exposed pinned joints and studded leather seat tops. In daily use and in super overall condition with good colour, solid joints
and no rips or spilts in the leather. There is minor rubbing to the finish on the footrests and lower legs but it is entirely commensurate with normal everyday usage and one of the leather seat tops has a fading ring stain.

Size: 70cm (h), seat tops 28cm square.

Excellent provenance, part of a substantial collection of Sid’s furniture i have acquired from their original local owner, who was a peresonal friend of his, and who had all the items made to order between 1970 and 1980. They are only reluntantly being
sold due to their emigration shortly.

Sid Pollard lived in Bagby, near Thirsk, and was one of Robert Thompson’s early apprentices. His solo work is almost always unmarked, preferring to let his craftsmanship speak for itself. After leaving Thompson’s he combined private commissions with working
for the family building firm, Pollard Builders. His solo work dates from the 40s through to his death in the 1980s.

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DS1119

Circa 1960

A wonderful example of an early Squirrelman fruitbowl and much rarer to the market than the Mouseman fruitbowl. Adzed to the outside and tooled to the inner bowl with a superbly detailed squirrel carved to the centre of the bowl which has no chips or losses. The bowl is of good heavy weight, with a thick rim, and  it presents in a superb waxed condition with a mature nutty brown colour, with just a hint of fruit tannin staining to the inner, completely normal and commensurate with use on a bowl of this age.  There is no damage to the bowl, although there is a small natural wood grain fault, present from new to the outer adzed side, and shown clearly in the images below.

Size: 9 1/2″ diameter x 2 3/4″ (h),  24(dia) x 7(h)cm 

Wilf Hutchinson is a former Mouseman apprentice, leaving to establish his own furniture workshop in 1957 in the village of Husthwaite, between Thirsk and Easingwold. His business continues with Wilf aided by his son, Trevor.

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Stock ref: DS1116

Circa 1960s

A wonderfully handcrafted display cabinet, adzed and pegged to the top and visible framework in line with early craftsmanship, with traditional wrought iron door and hinge fittings. The glazed and leaded panels feature rare and very distinctive diamond
shaped riven glass inlays to the front and sides which compliment the adzing on the wood beatifully. The rear is fully panelled in solid oak and two removeable 6mm glass  shelves are fitted internally.

Super condition  and deep honey colour commensurate with its age, with no evidence of damage or previous repairs, just a small and very light faded evidence of an old water mark to the front right of the  top and the expected light  ring
marking/ fading on the base panel from normal use. From a local Teesside owner.

Size: 47 3/4″ (w) x 14 3/4″(d) x 34″(h),    121.5(w) x 37.5(d) x 86(h)cm

Sid Pollard lived in bagby near Thirsk and was one of Robert Thompson’s early apprentices. His solo work is almost always unmarked, preferring to let his craftsmanship speak for itself. After leaving Thompson’s he combined his solo woodworking with the
family building firm, Pollard Builders. He continued woodworking until his death in the 1980’s.

Please note that i am selling this display cabinet on behalf of the owner, but it is in my possession for viewing and purchase by clients.

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Stock ref: DS1118-1

Circa 1960

A solid and substantial carver chair from Tom Whittaker, in very good condition ready for immediate use, made in his distinctive rustic artisan style featuring upswept arms and stand on four square carved legs, joined by stretchers. The legs feature pegged
joints and adzing to all visible surfaces. His trademark gnome is carved to the front leg of the chair. The seat retains the original leather hide, webbed to the undeerside and fastened to the frames with studding. The leather is in very good condition
free from any splits or tears, just  the expected marking and a slight difference in the way the  leather has coloured with age between the seat and back rest. The chair frame is strong and solid with no joint movement. There is old trace of
a small amount of wood glue around some joints and  a strengthening batton has been applied in the past  to the underside rear. The wood now presents in a warm aged colour matching the dining chairs also being offered for sale.

Size:   69(w) x 49(d) x 87(h)cm,  maximum arm height 67.5cm.

Thomas whittaker (1910 -1991) lived and worked in Littlebeck, near Whitby, North Yorkshire. His trademark gnome is carved onto all his work and was inspired by the legend that a gnome is born each time an acorn germinates and will guard that tree throughout
its life. His work is now nearly as well known as Robert Thompson’s. His business ceased on his death and his former home and workshop is now a private residence. For those interested in learning more about his life and work i attach a link to a British
Pathe newsreel from 1961. Gnomeman Thomas Whittaker

Please note that i am selling these chairs on behalf of their owner, but they are in my possession for viewing and purchase by clients.

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Stock ref: DS1117

Circa 1960

A lovely pair of Tom Whittaker’s solid oak panel backed dining or side chairs, in fine condition ready for immediate use. Made in his distinctive rustic artisan style they stand on four square carved legs, joined by stretchers. The legs andback panels feature pegged joints and adzing to all visible surfaces with his trademark gnome carved prominently to the front left leg of each chair. The seats retain their original high quality thick leather hide, webbed to the underside and fastened to the frame with copper studs. The leather is in fine condition and a superb mellow tan colour, free from any splits or tears, just the expected minor marking and staining from everyday use always found on this type of older untreated analine leather. The chair frames are strong and completely solid with no joint movement. There are old  traces of wood filler in some small natural wood splits, nothing to give any concern, and it is well blended into the wood which now presents in a warm aged medium brown colour.

Size: 40.5(w) x 38(d) x 82.5(h)cm.

Thomas whittaker (1910 -1991) lived and worked in Littlebeck, near Whitby, North Yorkshire. His trademark gnome is carved onto all his work and was inspired by the legend that a gnome is born each time an acorn germinates and will guard that tree throughout its life. His work is now nearly as well known as Robert Thompson’s. His business ceased on his death and his former home and workshop is now a private residence. For those interested in learning more about his life and work i attach a link to a British Pathe newsreel from 1961. Gnomeman Thomas Whittaker

Please note that i am selling these chairs on behalf of their owner, but they are in my possession for viewing and purchase by clients.

Sold

A Gnomeman armchair is also available, see stock ref: DS1118-2 for full details.

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