Stock ref: DS1800

Circa 1960s/80

A superb carved oak Mahout and Indian Elephant, beautifully observed pushing a large log with its trunk and carved by Stan Dodds.  The elephant, handler and log are carved from a solid block of oak, the carving screw mounted to a replaced baize lined and tooled base. Thought to be one of only two ever made the date of carving is the subject of some conjecture, but the second example, a known R. Thompson’s commission, dates to the early 1980s

Excellent condition and provenance, from Stan’s own personal collection and estate, found wrapped in 1969 newspaper  with the original design drawn in pencil to the rear of a 1961 calendar page.

Stan Dodds worked at Robert Thompson’s from 14 years of age in 1942  up to retirement in 1994, taking over the role of master carver from George Weightman  in the 1960s and responsible for most of their best carvings  in recent decades. His unique skill and craftsmanship is increasingly being recognised by collectors who seek out his distinctive mouse signature, as well as his own rabbit and later woodpecker signature. In retirement he undertook regular part-time carving work for a number of the Yorkshire Critters craftsmen, most notably Wilf and Trevor at Squirrel Furniture. He sadly passed away in early 2012.

Size: 23(w) x 10(d) x 20(h)cm

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Stock ref: DS1803

Circa late 1950s/mid 60s

A very rare and unusual ‘Rabbitman’ Cheeseboard, an early example of Stan Dodds’ solo work, made whilst he was still working full-time at Robert Thompson’s,  and before Peter Heap later trademark protected the rabbit as his own carved signature. Of rectangular form with an exquisitely carved rabbit to one end and, unusually for a Yorkshire craftsman’s piece it’s not made from oak, the colour and grain of the wood indicate it’s made from plain untreated sycamore.

Excellent condition and provenance, from his own personal collection and estate.

Stan Dodds worked at Robert Thompson’s from 14 years of age in 1942  up to retirement in 1994, taking over the role of master carver from George Weightman  in the 1960s and responsible for most of their best carvings  in recent decades. His unique skill and craftsmanship is increasingly being recognised by collectors who seek out his distinctive mouse signature, as well as his own rabbit and later woodpecker signature. In retirement he undertook regular part-time carving work for a number of the Yorkshire Critters craftsmen, most notably Wilf and Trevor at Squirrel Furniture. He sadly passed away in early 2012.

Size: 27.5(w) x 15(d) x 4.3(h)cm

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Stock ref: DS1802

Circa late 1970s

An excellent 7 1/2″ oak Bowl made by Stan ‘Woodpeckerman’ Dodds of typical adzed and tooled form with  his signature woodpecker carved in relief to the outer side.

Excellent condition and provenance, from his own personal collection and estate.

Stan Dodds worked at Robert Thompson’s from 14 years of age in 1942  up to retirement in 1994, taking over the role of master carver from George Weightman  in the 1960s and responsible for most of their best carvings  in recent decades. His unique skill and craftsmanship is increasingly being recognised by collectors who seek out his distinctive mouse signature, as well as his own rabbit and later woodpecker signature. In retirement he undertook regular part-time carving work for a number of the Yorkshire Critters craftsmen, most notably Wilf and Trevor at Squirrel Furniture. He sadly passed away in early 2012.

Size: 19(dia) x 4.5(h)cm

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Stock ref: DS1801

Circa  1980s

An excellent pair of oak Candlesticks made by Stan ‘Woodpeckerman’ Dodds of typical octagonal facetted form with a central carved stem. His signature woodpecker is carved in relief to both candlesticks.

Excellent condition and provenance, from his own personal collection and estate.

Stan Dodds worked at Robert Thompson’s from 14 years of age in 1942  up to retirement in 1994, taking over the role of master carver from George Weightman  in the 1960s and responsible for most of their best carvings  in recent decades. His unique skill and craftsmanship is increasingly being recognised by collectors who seek out his distinctive mouse signature, as well as his own rabbit and later woodpecker signature. In retirement he undertook regular part-time carving work for a number of the Yorkshire Critters craftsmen, most notably Wilf and Trevor at Squirrel Furniture. He sadly passed away in early 2012.

Size: 17(h) cm

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Stock ref: DS1792

Circa 1940s / early 50s

A superb example of the earlier made Mouseman  stool with the prized and sought after characterful curved burr  oak seat. The rectangular seat above four carved and detailed legs, one of which is carved with the trademark mouse,  joined by stretchers.  Extensively adzed to all parts of the framework of the stool, in line with earlier Mouseman craftsmanship It presents in excellent waxed condition with no loose  frame joints or  losses  to the burr seat and a rich warm naturally aged  medium fumed colour.

Size: 40.(w) x 28(d) x 38(h)cm

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Stock ref: DS1805

Circa 1960

 

A superb vintage example of  a Robert Mouseman Thompson Monks Chair, first made for Ampleforth College in the 1920s  and an iconic and popular  item in  Robert Thompson’s portfolio to this day.  Monks Chairs are large and comfortable  with a  large curved back with shaped arms supporting,  cow hide leather seat, carved lattice panels and four carved octagonal legs joined by a cross stretcher. 

It presents in a excellent condition following a gentle clean and re-wax in our workshop with adzed legs, solid joints all round and no losses. It retains its original cow hide seat, which, considering it’s age has remarkably little staining and wear, the whole piece presenting with a rich naturally aged colour and patina.  

Size: 61(w) x 59(d) x 80(h)cm

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Stock ref: DS1798

Circa 1960s

A lovely example of Tom Whittaker’s craftsmanship, this traditional oak spinning stool features a shaped and adzed back with an inset carved griffin. The dodecagon (12 sided) single plank seat is also adzed and supports three substantial legs, his trademark gnome carved intricately to the lower rear leg. Both front legs feature  visible wedged joints through the seat.

Super medium colour, the pegged rear back rest and leg are completely solid with very minor movement in the front legs which are wedged through the  seat.

Thomas whittaker (1910 -1991) lived and worked in York and later in Littlebeck, near Whitby, North Yorkshire. His trademark gnome is carved onto most of his post war work and was inspired by a German jewish refugee he met shortly before the outbreak of war who was judging a piece he had entered into the North of England Craftsmen’s Exhibition in Newcastle. He was asked to indenify the piece in some way and the judge suggested the ‘german oak spirit’  the legend being that a gnome is born each time an acorn germinates and will guard that tree throughout its life. His work is now highly regarded and nearly as well known as Robert Thompson’s. His business ceased on his death and his former home and workshop is now a private residence. For those interested in learning more about his life and work i attach a link to a British Pathe newsreel from 1961. Gnomeman Thomas Whittaker

Size: 45(w) x 46.5(d) x 91.5(h)cm

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Stock ref: DS1799

Circa 1970s/80s

An excellent example of a solid oak Magazine rack from the Wetwang workshop of former mouseman craftsman Peter ‘Rabbitman’ Heap. Adzed all over and excellent condition and rich medium fumed colour.

Size: 40.5(w) x 22.5(d) x 35(h)cm

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Stock ref: DS1790

1948

An  exceptional  quality and exquisitely handcrafted solid walnut 3 tier Display / Cake Stand from the Windermere, Cumbria workshop of Stanley Webb Davies, the renowned Cotswold School Arts and Crafts furniture maker. Stanley Webb Davies pieces are very rare to the market and highly sought after, representing understated Arts and Crafts furniture at its very best, in the Cotswold School style of Ernest Gimson, the Barnsley’s and Arthur Romney Green. Every piece made over a 40 year period is unique as Stanley was resolute in never producing exactly the same design twice. The underside of the upper tier is marked in typical fashion with the inscribed SWD cartouche, the craftsman’s own initials JCB and the date, 1948.

The signature bears a close resemblance that that used by James Cleasby Dent JCD but on close inspection is definitely a B not a D so, unfortunately,  nothing appears to be known about this particular craftsman. Hugh Wrights book: Stanley Webb Davies 1894-1978, Arts & Crafts Furniture Maker acknowledges that not all the craftsmen are know as the costing books are incomplete. There is reference  to a John Britain in the period 1947-51 but it has been thought he was not allowed to sign his work as ” he was on some sort of work experience with davies and went on to train as a teacher.” Clearly  the piece is of the highest quality and whoever made it had the full backing of Stanley to mark it with all the usually expected SWD markings.

The stand displays the very finest craftsmanship and cabinet making techniques combined with meticulous attention to the smallest details. Each piece of walnut has been carefully selected  for it’s individual grain and colour and no screws are used in the construction; visible wedged tennons  with contrasting oak wedges are used throughout and they all remain as tight as the day they were made. Other typical SWD features include the scalloped / dog bite  side edges, chiselled tooling to the circular central sections of each tier  and the curved canted edges.

Cleaned and re-oiled in our workshop the 3 tier stand presents in  exceptional condition, the colour and graining  now as  rich and vibrant as the day it was made almost 70 years ago.

Hugh’s book as well as a new 2016 publication entitled Stanley Webb Davies – Family Friends & Furniture by  Ian Naylor and Harold Heys (available from us) are highly recommend to those interested in learning more about  Stanley Webb Davies and his talented craftsmen.

Size: 29.5(w) x 21.5(d) x 79(h)cm

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Stock ref: DS1788

Circa 1980

An excellent example of the highly popular oak Standard Lamp from  the workshops of Robert ‘Mouseman’ Thompson of Kilburn.  Octagnal adzed and tapering central column supported by an octagonally carved and stepped base with a trademark mouse carving. In full working order with brass earthed bulb fitting, shadle cradle, modern 3 core wiring and 3 amp fused plug. Original local DL9 poscode ownership.

Excellent condition, medium fumed and clear waxed colour.

Size: 31 (dia) x 137.5(h)cm.

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Stock ref: DS1771

Circa 1950s

A Robert  ‘Mouseman’ Thompson Oak Fire Screen of rectangular form on sledge feet with a pierced handle, carved finial side posts and a very fine trademark mouse carved in high relief to the top edge. An inset wool tapestry below depicting  leaves, fruits and flowers set behind a glazed pane with oak rear panelling. Superb condition with no damage or faults and a rich deep colour to the wooden frame.

Size: 48.5(w) x 25.5(d) x 83(h)cm

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Stock ref: DS1780

Circa 1970s

A superb example of a Yorkshire Oak Grandmother Clock made by former mouseman craftsman Sid Pollard of Bagby, near Thirsk. The oak cabinet beautifully constructed in solid oak and fitted with the same movement that is fitted to mouseman grandfather clocks of the same period, a twin weight and pendulum driven  Schmeckenbecher movement  with brass clock face from West Germany. In full working order on acquisition, the movement is currently being fully serviced by our local professional horologist.

Superb condition with a rich medium fumed and clear waxed natural aged colour to the clock cabinet.

As is typical of Sid’s work it is unmarked, he preferred to let his carftsmanship speak for itself.

Size: 44(w) x 25(d) x 177(h)cm

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